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	<title>Lee Patrick [Johnson] &#187; Influence</title>
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		<title>New York Art &#8211; This is Propaganda</title>
		<link>http://www.leepatrickjohnson.com/influence/new-york-art-this-is-propaganda.html</link>
		<comments>http://www.leepatrickjohnson.com/influence/new-york-art-this-is-propaganda.html#comments</comments>
		<pubDate>Tue, 16 Mar 2010 12:30:44 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Influence]]></category>
		<category><![CDATA[Anders Ruhwald]]></category>
		<category><![CDATA[David Altmejd]]></category>
		<category><![CDATA[Gladstone Gallery]]></category>
		<category><![CDATA[Jeff Kunes]]></category>
		<category><![CDATA[Ken Price]]></category>
		<category><![CDATA[Lee Johnson]]></category>
		<category><![CDATA[Matthew Marks Gallery]]></category>
		<category><![CDATA[New Museum]]></category>
		<category><![CDATA[New York City]]></category>
		<category><![CDATA[Skin Fruit]]></category>
		<category><![CDATA[Tino Sehgal]]></category>
		<category><![CDATA[Whitney Museum]]></category>

		<guid isPermaLink="false">http://www.lpjart.com/?p=532</guid>
		<description><![CDATA[I was recently in NYC and I think one piece really stood out as indicative of contemporary art: A woman, dressed and acting as security at the New Museum, randomly and perfectly on pitch breaks out in song &#8220;This is propaganda. This is propaganda.  This is propaganda&#8230; (spoken) Tino Sehgal, 2009&#8243;.
Flawless.  Clean.
Here were a few [...]]]></description>
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		<title>Influential artists</title>
		<link>http://www.leepatrickjohnson.com/influence/influential-artists.html</link>
		<comments>http://www.leepatrickjohnson.com/influence/influential-artists.html#comments</comments>
		<pubDate>Tue, 13 Oct 2009 17:33:47 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Influence]]></category>

		<guid isPermaLink="false">http://www.lpjart.com/?p=107</guid>
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		<title>Quotes</title>
		<link>http://www.leepatrickjohnson.com/influence/quotes.html</link>
		<comments>http://www.leepatrickjohnson.com/influence/quotes.html#comments</comments>
		<pubDate>Mon, 05 Oct 2009 21:30:53 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Influence]]></category>

		<guid isPermaLink="false">http://www.lpjart.com/?p=86</guid>
		<description><![CDATA[&#8220;Like so many Americans, She was trying to construct a life that made sense from things she found in gift shops.&#8221; &#8211; Kurt Vonnegut, Slaughterhouse Five.  [I mentally replaced 'gift shops' with Art galleries].
&#8220;The less memory is experienced from the inside the more it exists only through its exterior scaffolding and outward signs&#8221; -Pierre Nora, [...]]]></description>
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		<item>
		<title>Readings/Articles</title>
		<link>http://www.leepatrickjohnson.com/influence/readingsarticles.html</link>
		<comments>http://www.leepatrickjohnson.com/influence/readingsarticles.html#comments</comments>
		<pubDate>Mon, 05 Oct 2009 21:17:13 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Influence]]></category>

		<guid isPermaLink="false">http://www.lpjart.com/?p=76</guid>
		<description><![CDATA[Site Specific art and locational identity: MiwonKwon
Context of the destruction/alteration of artwork: Meacher
the Counter Monument: Young_CounterMonument
Relational Aesthetics: Bishop
Teaching Public art in the twenty-first Century.  An Interview with Harrell Fletcher.  by Shelly Willis: WillisFletcher
]]></description>
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